KAMPUNG TERANG, BALIK PULAU
Set against the rural landscape of Balik Pulau, the PICAF installation at Kampung Terang reflects the
everyday life and livelihoods of the local community.
Kampung Terang is a traditional Malay village surrounded by paddy fields, offering visitors a glimpse
of the quieter, agricultural side of Penang Island.
Once at Balik Pulau's Street Market
by Marat Danilyan
Inspired by the everyday sights and
people of Balik Pulau, the artwork brings
together a collage of textures, patterns,
plants and objects observed along its
streets. At the heart of the composition
is a local street hawker, portrayed going
about his daily routine with a cheerful
and positive spirit.
Rather than focusing on well-known
landmarks or attractions, Marat Danilyan
was drawn to the ordinary details of
daily life and the people who give the
neighbourhood its character. Through
these elements, the artwork captures his
impressions of the local community and
the simple rhythms of life in Balik Pulau.
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The Joy of Harvest
by Leonard Siaw and Jagung
Celebrating two of Balik Pulau’s traditional
agricultural livelihoods, the artwork portrays
the people behind its rice fields and durian
orchards. Leonard Siaw’s piece pays tribute
to the dedication of rice farmers and the
care involved in cultivating and harvesting
the crop, while Jagung depicts a durian
farmer inspecting his freshly harvested fruit
before it is sent to market.
Together, the two scenes recognise the
important role of farmers in Balik Pulau and
their contribution to the local economy.
They also reflect the agricultural traditions
that have long been part of the community’s
identity, from rice cultivation to durian
farming passed down through generations.
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DATARAN PEMUDA MERDEKA, BUTTERWORTH
The PICAF installation at Dataran Pemuda Merdeka presents two distinct aspects of life and culture,
portraying the resilience of a fisherman and the traditional craftsmanship of batik.
Formerly known as the British Recreation Club (BRC), Dataran Pemuda Merdeka is a historic open
space in Butterworth associated with events surrounding the country’s struggle for independence.
Fire
by Judith de Leeuw
The mural depicts a fisherman pushing his
boat into the water, summoning the last of
his strength as he prepares to face the
challenges ahead. His determination is
represented by the ‘fire’ within him — the
passion and love for his livelihood that
drives him forward despite exhaustion and
the uncertainty of the sea.
Beyond the fisherman’s story, the artwork
carries a broader message about the inner
drive that keeps us pursuing what matters
to us. It reflects the strength to persevere
through difficult circumstances, even
when the journey demands courage,
resilience and sacrifice.
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The Art of Batik
by Abdulrashade and Andharas
Featuring a batik artisan at work, this
collaborative mural captures the skill and
dedication involved in the traditional
Malaysian craft. The intricate process of
creating batik involves several stages,
from applying wax to the fabric to dyeing
or painting and drying the finished piece.
Here, Penangite Abdulrashade and
Malacca-based artist Andharas pay
tribute to those who continue to practise
the craft by hand despite its
time-consuming process. The artwork
celebrates their commitment to
preserving the skills and traditions of
batik for future generations.
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BATU KAWAN INDUSTRIAL PARK (BESIDE VITROX) BANDAR CASSIA, BATU KAWAN
Originally displayed at Karpal Singh Drive in George Town, this PICAF installation has since been
relocated to Batu Kawan Industrial Park. The artworks explore ideas of the future while celebrating
Penang’s culture and heritage.
Batu Kawan Industrial Park in Bandar Cassia is one of Penang’s major industrial hubs, home to a
growing number of local and multinational companies.
Hope for the Future
by Julia Volchkova
The artwork depicts a young Malay girl
playing with toy blocks, using them to
build the structures of her imagined
future city. Originally created for the
installation at Karpal Singh Drive, the
scene draws inspiration from George
Town, a city shaped by centuries of
development.
Looking beyond the present, the girl
imagines how the city might continue to
evolve while retaining the heritage that
gives it its distinctive character. Her sense
of wonder and curiosity captures a
hopeful vision of the future, where the old
and new can continue to exist side by side.
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Preserving Cultural Roots for Sustainability
by Kenji Chai
Celebrating Penang’s multicultural identity,
the colourful mural depicts a smiling young
girl wearing a batik headband and
balancing a basket filled with symbols
associated with Penang, including a pinang
tree and a dusky leaf monkey. Her joyful
expression reflects a sense of belonging
and pride in the place she calls home.
Through these cultural and natural
elements, Kenji Chai highlights the
importance of nurturing an appreciation of
local identity from a young age. The artwork
carries a broader message about
preserving Penang’s cultural and natural
heritage, ensuring that these connections
remain meaningful for future generations.
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DESIGN VILLAGE OUTLET MALL - BANDAR CASSIA, BATU KAWAN
Originally displayed at Prangin Mall in George Town, this PICAF installation was relocated to Design
Village Outlet Mall in 2021. Through two familiar cultural subjects, it celebrates Penang’s living
heritage and artistic traditions.
Design Village Outlet Mall is the only premium outlet mall in Malaysia’s Northern Region, known for
its open-air garden setting and wide selection of international outlet brands.
The Trishaw Rider
by Sasha Korban
The mural portrays a local trishaw rider, a
familiar presence on the streets of George
Town and part of the city’s living heritage.
For generations, trishaws have offered
visitors a distinctive way to explore the
heritage enclave while providing a
livelihood for those who continue this
longstanding tradition.
In the scene, the rider has stopped near a
heritage building and is enthusiastically
sharing its story with a passenger.
Through this interaction, Sasha Korban
captures the trishaw rider’s role not only in
navigating the historic streets, but also in
bringing George Town’s stories and
heritage to life for visitors.
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Tribute to the late Chuah Thean Teng
by Bibichun
Created as a tribute to Chuah Thean Teng,
widely regarded as the Father of Batik
Painting, the mural depicts a Malay
woman dressed in a traditional kebaya
and batik sarong, accompanied by a
young child. She is shown working on a
batik painting of herself, drawing on the
subjects and imagery that featured
prominently in Chuah’s work.
Through this interpretation, Bibichun
honours the artist whose experimentation
with batik as a medium developed into a
lifelong artistic pursuit. The artwork
celebrates his distinctive contribution to
Malaysian art and the legacy of batik
painting he helped establish.
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SQUARE@CASSIA - BANDAR CASSIA, BATU KAWAN
This PICAF installation was previously displayed at Central Park, Aspen Vision City in Bandar Cassia
before being relocated to Square@Cassia. Centred on themes of livelihood and connection, it
reflects Penang’s relationship with the sea and the link between the island and mainland.
Square@Cassia is a pocket park in Batu Kawan, providing a pleasant green space for the community
and visitors to relax and enjoy the outdoors.
Offshore
by Emmanuel Jarus
The artwork portrays a local fisherman
preparing to head out to sea, capturing
the courage and determination behind a
simple but demanding livelihood. His
story also reflects the importance of the
sea to Penang as a source of food that
sustains communities on both the island
and mainland.
Beyond the fisherman’s individual story,
Emmanuel Jarus explores a broader idea of
connection and mutual support. Just as
the sea links the island and mainland, the
piece reflects how people from different
communities and walks of life can
contribute to and support one another to
build a better future.
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Connection
by Caryn Koh
The artwork portrays a young woman, a
close friend of the artist, seated quietly
while holding a braided rope in her
hands. Set against the context of Batu
Kawan and the Second Penang Bridge,
the piece draws on the idea of
connection between the mainland and
Penang Island.
The rope becomes a symbol of
connection to what lies ahead, much like
a bridge linking one place to another.
Although the young woman appears
hesitant as she looks towards an
uncertain future, she continues to hold
on, expressing a sense of hope for what
is yet to come.
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